Explore Free Seedance 2.0 Prompts

[Style] Popular Chinese rich-tycoon satisfying drama (Viral CEO Drama), vertical composition (Portrait Mode), high saturation filter, extreme facial close-ups, dramatic emotional range. [Duration] 15 seconds [Characters] Humiliated groom (wearing cheap suit, eyes showing suppressed anger) VS disdainful mother-in-law (covered in jewelry, looking disgusted). [00:00-00:05] Shot 1: Extreme humiliation (Humiliation). Luxurious wedding venue. The mother-in-law slams a "divorce paper" onto the male lead's chest in front of everyone, surrounding guests burst into laughter. [Action] Mother-in-law pokes her finger at the male lead's forehead. [Dialogue lip-sync guidance] "Want to marry my daughter without a car or house? Take this hundred bucks and scram!" [00:05-00:10] Shot 2: Sudden reversal (The Turn). Male lead suddenly smirks and tears the divorce paper. At this moment, a massive helicopter sound (audio effect) drowns out the entire venue, the wind wildly messes up the mother-in-law's hair. [Action] Male lead adjusts his collar, his aura instantly becomes domineering. [Dialogue lip-sync guidance] "This marriage is what you want to cancel." [00:10-00:15] Shot 3: Rich tycoon reveal (The Reveal). The main door is kicked open, two rows of black-clad bodyguards rush in, kneeling on one knee to roll out a red carpet. An elderly butler tremblingly holds up a yellow robe (or ultimate black card) and runs to deeply bow in front of the male lead. The mother-in-law is so scared she collapses to the ground, her pupils shaking. [Dialogue lip-sync guidance] The butler shouts: "Welcome back, Dragon King (Young Master)! Family assets have been unfrozen!"

Macro cinematic close-up of a luxury mechanical watch exploding into its intricate individual components—gears, springs, and cogs floating in slow motion against a dark, moody background. Cinematic side-lighting to highlight the polished gold surfaces and intricate blue guilloché dial textures. Sharp focus on mechanical movement details, 8k resolution, photorealistic, elegant, sophisticated atmosphere, depth of field.

Supernatural martial arts duels between @[character1 ref] and @[character2 ref] with aura bursts and heavy impact accents. 16 beats. Open on immediate action, maintain escalating momentum throughout, and end on a decisive final impact with no slow introduction or cooldown.

[0:00–0:02] Title Card: Clean minimal text animation: DESERT REVERIE fades in centered, thin serif white font, subtle letter spacing expand animation, over a blurred desert background (soft bokeh of red mesas and blue sky). Text holds for 1.5s then fades out smoothly. [0:02–0:05] Establishing Shot: Wide static shot, Monument Valley desert at midday. A vintage teal 1960s muscle car sits parked on a dirt road, red sandstone mesas in the background, clear blue sky. A man in a fringed jacket and cowboy boots reclines on the hood, hands behind his head, completely relaxed. Heat haze shimmers faintly above the ground. [0:05–0:09] Rising Action: Low angle action-camera shot from near the front bumper, slowly tilting upward. A powerful brown horse leaps into frame from the left, mid air, legs tucked, mane and tail whipping with motion. Camera holds steady as the horse arcs gracefully over the car and the reclining man, muscles rippling naturally, correct anatomy maintained (four legs, proper joint bends, no warping). [0:09–0:13] Landing & Dust: Camera transitions to a slow dolly in from the front of the car. Horse lands just behind the vehicle, front hooves touching down first, kicking up a dramatic cascade of dust and sand in realistic particle simulation. Man on the hood remains still and unfazed, jacket fringe fluttering slightly in the wind. Golden desert light, hard natural shadows. [0:13–0:15] Final Hold: Slow motion ramp (0.5x) on the settling dust cloud, mesas sharp in the background, sky calm and clear. Gentle fade to black. Technical requirements: Horse: exactly 4 legs, correct joint articulation, no limb warping, no extra hooves. Man: correct hand/finger anatomy (5 fingers each), no facial morphing. Car body lines and wheels remain stable, no distortion. Consistent dust/sand particle physics, no flicker artifacts. No watermarks, logos, or text overlays except the title card. 16:9 aspect ratio throughout, no letterboxing Color grading: warm desert tones, teal car accent, natural sky gradient, cinematic contrast.

[Style] Mockumentary (Vlog Style), hyperrealism, fixed-camera real-shot feel, natural lighting, with a slight suspenseful comedy tone. [Duration] 15 seconds [Main Character] An ordinary young beautiful woman, in front of the bathroom sink at home. [00:00-00:06] Shot 1: Daily setup (Normalcy). Scene: In front of a regular bathroom mirror. Action: The protagonist is brushing her teeth, mouth full of foam. She makes various funny faces (squinting, eyebrow-wiggling) at the mirror while brushing her teeth. Key detail: At this point, the reflection in the mirror is completely normal, movements synchronized. [00:06-00:11] Shot 2: BUG appears (The Glitch). Action: After brushing teeth, the protagonist lowers her head to spit out foam, then turns around to leave the bathroom. High-impact moment (core climax): Just as the protagonist's real body has turned and left the mirror frame, the "reflection" in the mirror doesn't move! That "reflection" still maintains the tooth-brushing pose, even mischievously raising eyebrows at the camera with a bad smile, staying for a full 2 seconds, before suddenly panicking and "fast-forwarding" to catch up with the original body's movements before disappearing. Director's note: Must create an extremely realistic "network delay" feel, as if the reflection has independent consciousness. [00:11-00:15] Shot 3: Comedic callback (The Punchline). Action: The protagonist, who has already walked to the door, seems to sense something is wrong, suddenly turning back to look at the mirror. Result: The mirror has now completely returned to normal, completely empty, only reflecting the opposite wall. The protagonist scratches her head in confusion, showing a life-questioning expression toward the camera. The frame freezes on the protagonist's confused face (comedy effect).

Extreme macro shot of a single candle flame burning in a dark room. The background is black, silent, intimate. Wax melts slowly down the candle, forming translucent golden rivers. Opening frame: the camera pushes closer into the flame until the flickering fire fills the entire frame. At the 2-second mark, buildings become visible inside the flame. A tiny city exists within the fire , skyscrapers made of light, streets made of glowing embers, crowds moving like sparks through golden avenues. The camera enters the flame and becomes part of this miniature burning metropolis. Inside, the city is alive and unstable. Towers bend with every flicker. Roads flare and vanish. People made of fire move through the streets, leaving trails of smoke behind them. The sky above is the dark room outside the candle, seen as an infinite black universe. VFX escalation: the candle begins burning faster. Wax rivers flood the city from below like molten glass. Flame-winds tear through streets, reshaping buildings into abstract sculptures of heat and light. Velocity ramp: a burning tower collapses in slow motion, its sparks suspended mid-air like golden snow. Final moment: the camera pulls back out of the flame. The candle is nearly extinguished. Just before the flame dies, the tiny city lights flicker one last time. Macro surrealism, miniature city inside fire, molten wax physics, ember particles, extreme shallow depth of field, dark poetic atmosphere, 4K.

@image1 is the first keyframe and style reference. High-cinematic-quality tragic drama animation. Dark, moody, high-contrast desaturated color palette with a cold green-tinted shadow grading. A warm, flickering key light illuminates her face, casting dramatic shadows. Dimly lit traditional Japanese room with soft volumetric dust particles floating in the air. 0–3s: CLOSE-UP from @image1. Her eyes are tightly shut, trembling with intense grief. A thick glinting tear tracks slowly down her cheek, refracting the warm key light. Her chin quivers slightly in a micro-expression of profound sorrow. Camera executes an ultra-slow dolly zoom. 3–6s: EXTREME CLOSE-UP on her lips. Her mouth is slightly agape as a silent, shaky sob escapes. A tear drops from her chin and splashes onto the red collar of her kimono, creating a realistic damp darkening spot on the intricate silk fabric. 6–9s: SLOW PROFILE PAN. She slowly bows her head. Strands of her dark hair fall loose across her face, swaying softly with her shallow, heavy breathing. The collarbone and chest muscles tense up naturally under the weight of her grief. 9–12s: MEDIUM SHOT. She slowly opens her glassy, red-rimmed eyes, looking down in despair. A shaft of cold moonlight pierces the sliding paper screens (shoji) in the background, cutting through the volumetric dust. She clutches her red collar with a trembling, pale hand. 12–15s: MACRO SHOT OF HER EYES. Looking slightly off-camera, her glossy eyes reflect a flickering candle flame. The camera slowly pulls back as she lets out a final, shaky exhale, her facial muscles softening into a hollow, numb expression. Tragic cinematic realism matching the style and face of @image1. High-fidelity tear rendering, volumetric dust, ultra-realistic skin and cloth physics, shallow depth of field. 2.35:1, 24fps. Total: 15s / Multi-shot / 16:9

Create a 15-second ultra-realistic cinematic commercial for premium chicken biryani. Start with a close-up of fragrant basmati rice as saffron steam rises in slow motion. Show juicy, perfectly cooked chicken pieces, vibrant spices, fresh mint, coriander, crispy fried onions, and rich masala being layered together. Capture cinematic macro shots of the biryani being gently mixed, with steam and warm golden lighting creating a mouthwatering atmosphere. End with a beautifully plated biryani on an elegant wooden table, accompanied by raita and salad. Luxury food commercial, shallow depth of field, smooth camera movements, high-end restaurant aesthetic, ultra-detailed textures, HDR, 8K, DSLR quality, natural colors, realistic food styling, no text, no watermark.

[Main Character] = Black-haired girl [Opponent/Target] = White cat [Setting] = Old house [Anomaly Gimmick] = White thread [Video Style] 15 seconds. Japanese full-color anime. High-density 2D animation with a 500 million yen budget feel. Fast cuts, floor-level low angles, macro close-ups, rapid horizontal tracking, ending with a fixed medium shot. No subtitles, no watermarks, no BGM. Sounds of subtle floor friction, breathing, and short ambient noises. [Visual Composition] The [Main Character] does not run. They dissolve into the [Anomaly Gimmick], travel along the walls and floors of the [Setting], and re-form at the destination ahead of the [Opponent/Target]. [Shot 1: Dissolve Start] The [Main Character] is stationary at the back of the [Setting]. Only the feet transform into the [Anomaly Gimmick] and start flowing onto the floor. [Shot 2: Close-up] The [Anomaly Gimmick] travels through floor scratches, tile joints, raindrops, and gaps in tatami mats. Macro lens close-up. [Shot 3: Target's Flight] The [Opponent/Target] flees toward the camera. The camera pans horizontally in parallel, while the [Anomaly Gimmick] chases from the corners of the background. [Shot 4: Wall Movement] The [Anomaly Gimmick] climbs the wall, moving around fluorescent lights and window frames. Shown with gravity-defying movement. [Shot 5: Splitting] The [Anomaly Gimmick] splits into multiple thin streams, blocking the [Opponent/Target]'s path in advance. Bird's-eye view shot showing the route. [Shot 6: Re-formation] Just before the [Opponent/Target] stops, the [Anomaly Gimmick] gathers in the darkness behind them, forming the outline of the [Main Character]. [Shot 7: Completion] The [Main Character] completely returns to their original form. Hair and clothing take shape with a slight delay. The camera slowly pushes in. [Shot 8: Dialogue] The [Main Character] stands right behind the [Opponent/Target] and says in a calm voice, "I was already here." The final frame ends without showing the target's reaction.

Main Subject Young Chinese woman, early 20s. Natural appearance. Black wavy hair loosely tied back. Slightly damp bangs. Light grey hoodie over a faded white tank top. Blue jeans. Black canvas sneakers. Consistent identity throughout. Location Small Chinese town during a light summer rain. Simple bus shelter. Wet pavement. Trees lining the road. Utility poles. Apartment buildings in the distance. Occasional scooters. Humid atmosphere. Puddles reflecting the sky. No commercial focus. Visual Style Ultra-realistic observational footage. Feels like a friend casually recording while waiting together. High image quality. Natural color reproduction. Realistic skin detail. Authentic rain behavior. No exaggerated vintage effects. No excessive degradation. No cinematic grading. The recording should feel genuine and unnoticed. Camera Treatment Good consumer digital camera from 2008–2012. Handheld but comfortable. Mostly stable framing. Small natural corrections. Occasional focus transitions. Minor exposure adjustments. Realistic motion. Clear facial detail. No heavy shake. No obvious artificial camera effects. The camera quietly documents the moment. 00:00–00:02 Standing beneath a bus shelter while light rain falls. She extends her hand beyond the roof to feel the rain. A few drops land on her sleeve. Small smile. 00:02–00:04 Sitting on the shelter bench watching the road. Rainwater drips from the shelter roof. She quietly observes passing traffic. Natural waiting behavior. 00:04–00:06 She checks the time on an old silver flip phone. The phone catches a soft reflection from the cloudy sky. She sighs slightly and puts it away. 00:06–00:08 A bus appears far down the road. She stands up instinctively. Hopeful expression. The camera follows naturally. 00:08–00:10 The bus passes without stopping. Water sprays lightly from puddles. She watches it disappear. Then laughs quietly at her own bad luck. 00:10–00:12 Rain grows slightly heavier. She adjusts her hoodie. A few wet strands of hair stick to her cheek. She sits back down. 00:12–00:15 Looking toward the road again. She notices the camera. A sheepish smile appears. She shakes her head lightly. Then looks back at the empty road waiting for the next bus. The camera stays on the scene for a moment before ending. Audio Light rain. Water dripping from the shelter. Distant scooters. Occasional traffic. Wet footsteps. Trees moving in the wind. Subtle town ambience. No music. No narration. No sound design. Generation Goal A completely ordinary rainy afternoon that feels remembered rather than filmed. Not a camera test. Not a cinematic scene. A small moment from someone's life that happened to be captured and later rediscovered.

Seedance 2.0, 15 seconds, 16:9. Main subject from @image1 — lock her identity completely. Keep her face, skin tone, body shape, outfit, hairstyle, and every unique feature perfectly identical throughout the entire video. She is wearing a faded grey sleeveless crop top, loose high-waisted light blue jeans, black canvas sneakers, a black cord necklace, and has black wavy hair tied in a messy side-swept ponytail with bangs. Korean woman with an authentic early-2000s vibe. The entire video takes place in a quiet Korean residential neighborhood with narrow concrete alleys, low-rise houses featuring small terraces, a front yard with a clothesline, potted plants, parked bicycles and motorcycles, large trees, and overhead utility cables everywhere. There are no shops, vendors, or commercial elements—only a natural, everyday residential environment. The camera treatment is the defining element. The footage must feel as if a friend casually picked up a DV camcorder and started recording without any planning or setup. Use heavy handheld shake, constant reframing, the subject naturally drifting toward the edges of the frame, autofocus hunting, visible lens breathing, and exposure pumping. The image should appear faded, low-contrast, slightly washed out, with authentic early-2000s digital noise and compression artifacts. No stabilization, no cinematic movement, and no modern color grading. This camcorder aesthetic is absolutely non-negotiable. She begins sitting on a concrete sidewalk while fixing her ponytail with both arms raised, smiling naturally as the wind gently catches her hair while the camera struggles to maintain focus. The camera then follows her into a narrow alley where she crouches down and feeds a friendly stray cat that walks right up to her. Next, she is in her front yard hanging laundry on a clothesline as the morning breeze softly moves the clothes, while the camera continues swaying and searching for focus. Midway through, she sits quietly on the front terrace holding a coffee cup, calmly looking toward the street as the camera drifts loosely from the side. Then, in a close shot from her right side, she raises her arm, warmly waves to someone off-camera, and says, "Annyeong," with the camera catching the moment a beat late. The final shot follows her in a slow tracking walk down the street with the coffee cup still in hand. She notices the camera, turns slightly, gives a soft, genuine smile, and the recording abruptly cuts to black mid-motion as if the camcorder was simply switched off. Audio must remain entirely natural. Include only morning birds, a gentle breeze, distant motorcycle sounds, faint neighborhood chatter, the stray cat, coffee cup handling, footsteps on concrete, and rustling leaves. No music, no sound design, and no added audio effects.

10-second cinematic sci-fi action sequence, 16:9, ultra-realistic, breathtaking scale, realistic physics, no visible face. A fighter flies through a gigantic artificial world. The interior contains continents, cities and oceans. Suddenly a planetary defense system activates. Enormous armored plates begin sliding across the sky. Each plate is hundreds of kilometers wide. The world is literally closing. Sunlight disappears section by section. The pilot races through narrowing corridors of light. Entire landscapes vanish beneath moving armor. The remaining opening becomes smaller and smaller. The fighter dives toward the last visible gap. The planetary shutters collide behind him. Cut.

Video from reference image · Seedance 2.0 · 4K · Vertical 9:16 · 15s · Pure eye/facial acting · Zero dialogue · Ultimate live-action performance. CHARACTER REF (= upload setting image to lock character): Ancient beauty, black hair in high bun with flowing tresses, gold-set gemstone crown + pearl tassels, off-shoulder pink floral embroidery bandeau dress, light pink sheer outer robe, long tassel earrings. Facial features, makeup, hair accessories, and clothing must be 100% consistent with Reference Image, no deformation or face-swapping. Vertical composition: 9:16 aspect ratio, face centered/upper, breathing space, suitable for close-ups and eye macro, background blurred. SCENE: Quiet garden pavilion, translucent veils behind, misty flower shadows in distance, warm twilight light, floating dust in light beams, light breeze moving veils and hair. Quiet, elegant, minimalist. PERFORMANCE CORE: Pure eye + facial expression, zero dialogue/voiceover/subtitles. All emotions conveyed via eyes, lashes, brows, nose, and lips. Oscar-level acting: drama in face, subtext in eyes. Real skin fuzz and breathing rise/fall, irregular blinking, eyes move first then head. Micro-expressions with 'imperfect reality', fluid and not stiff. SHOT 1 (0-2.5s): Facial medium close-up, eyes downcast, dazed/lost in thought, lashes quiver, lips slightly parted then pressed, visible breathing. SHOT 2 (2.5-5.5s): Eye macro, eyes move from static, pupils shifting as if remembering, warmth rising in eyes, subtle softening of mouth. SHOT 3 (5.5-8.5s): Facial close-up, warmth met with sudden sting, eyes tremble, slight tears, brows furrow then relax, nose flares, restraining emotion. SHOT 4 (8.5-11.5s): Eye macro, tears well but don't fall, eyes close briefly, reopen with vulnerability hidden. SHOT 5 (11.5-15s): Facial medium close-up, eyes look off-screen, soft, warm, moist eyes, slight smile of relief/melancholy, lips move slightly then stop (words left unsaid), ending in a cold yet gentle, slightly melancholy mood. CAMERA: Handheld with slight breathing feel, alternating facial close-up/eye macro, shallow depth of field, focused on eyes/face. ATMOSPHERE/LIGHT: Twilight warm light, film grain, floating dust, veils and hair moving in air. CONSTRAINTS: 4K, 9:16, 15s, character consistency, zero dialogue, emotional progression, film-like realism, no AI artifacts (plastic skin/shining eyes), smooth transitions, no subtitles/watermarks.

A sleek futuristic performance vehicle inside a modern showroom, dramatic cinematic lighting reflecting across polished metallic surfaces, ultra-detailed bodywork, realistic water droplets shimmering under soft studio lights, professional

15-second cinematic parkour action video, 16:9, 1080p, 8 hard cuts. The protagonist is the 2D anime cat-girl character from image_1 — short lime-green hair with cat ears and a teal-green headband, bright blue eyes, delta-shaped hollow triangle tie with yellow outline, light blue sleeveless dress with zigzag yellow hem, white long-sleeve undershirt, light blue thigh-high stockings with mechanical robotic knee pads bearing triangle markings, pink ankle boots with zigzag triangle sole markings, pink randoseru backpack with yellow pencil holder sticking out the top, a robotic segmented cat tail with a gold triangle tip, and small delta-symbol earrings. Her face, hairstyle, costume, and all character features must be preserved exactly in every cut. The 2D anime-style character coexists naturally within a live-action photorealistic real-world modern Japanese urban environment. Setting: real contemporary Japanese city streets — concrete buildings, narrow urban alleyways, rooftop ledges, exterior staircases, metal railings, concrete walls, urban barriers, overhead signage, and dense city architecture typical of modern Tokyo, Shibuya, Yokohama, or Yokosuka. Natural daylight or golden-hour city lighting. Shot 1 [00:00–00:01.20]: Low rear 3/4 tracking shot, ground-level camera nearly scraping the pavement of a narrow urban alley. Protagonist crouches then explodes into a sprint toward a low concrete wall. Camera follows close behind. Shot 2 [00:01.20–00:03.60]: Front 3/4 low-angle follow shot. Protagonist launches into a forward flip over the first concrete wall. At peak, full body clears the obstacle. Cinematic framing against urban buildings. Shallow depth of field. Shot 3 [00:03.60–00:04.93]: True side close shot near ground. Landing flows seamlessly into a running forward roll — shoulder-to-back weight transfer, rises immediately. Full body in frame. Shot 4 [00:04.93–00:07.33]: Opposite low side angle on rooftop. Protagonist accelerates and launches a large forward flip over a rooftop parapet. Ledge in foreground, protagonist soars against open city skyline. Shot 5 [00:07.33–00:08.67]: Near-overhead bird's-eye shot. Protagonist lands and rolls along the urban path. City architecture visible around her. Body stays on surface. Shot 6 [00:08.67–00:11.07]: Retreating front-facing follow camera. Protagonist charges a staircase railing or concrete barrier, forward flip captured from the front. Camera retreats with slight handheld shake. Shot 7 [00:11.07–00:12.40]: Rear diagonal close tracking. Quick forward roll then sprint toward final obstacle. Low camera, handheld feel, protagonist fully in frame. Shot 8 [00:12.40–00:15.00]: Hero climax shot. Maximum-height forward flip over a large concrete ledge against the Japanese city skyline. Camera arcs from front 3/4 to opposite side during rotation. Protagonist lands and runs powerfully out of frame.

Dense redwood forest during heavy fog. A wildlife photographer spends the night inside a fire watch tower. Everything seems normal. Until dawn. Entire sections of the forest have moved. Mountains are unchanged. The roads are unchanged. But the trees are somewhere else. Then he sees it. Far away. An entire forest walking. Thousands of trees moving together. Roots lifting from the ground. Branches swaying. The visible danger grows: highways disappear beneath advancing trees radio towers vanish inside the moving forest rivers change direction abandoned houses become engulfed The photographer drives desperately through foggy roads. Behind him: The living forest slowly advances. At sunset giant trunks tower above the highway. Then the movement stops. The forest stands silent. As if it had never moved.

[Style] Live-Action + Flat 2D Sticker Composite funny short video, First-person vanity POV (POV Vanity Vlog), strong contrast mashup of realistic makeup textures and flat cartoon sticker style, 8K Ultra HD, slight handheld shaking (Handheld Micro-shake), vertical screen. [Duration] 10 seconds [Scene] Real vanity table in first-person perspective: The desktop has an open eyeshadow palette, powder jar, a twisted-open bright red lipstick, and a vanity mirror with light bulbs. A pink hairdryer is on the right. Warm white light, the mirror only shows the reflected edge of the desktop, not a full reflection. [Character] Chibi-style anime sticker character (flat 2D sticker texture, cartoon outlines, paper-like): Long blonde hair with bangs, large purple round eyes, pink blush, white sailor-style school uniform, blue hair clip. Standing next to the eyeshadow palette, about twice the height of a lipstick. Maintains a pure 2D flat texture throughout, not relit by real lighting. A real person's hand (realistic, pores visible) enters the frame from the right side. [00:00-00:03] Shot 1: Lipstick Vandal Opening First-person top-down POV: The real hand is using a brush to pick up eyeshadow. The sticker character is holding a real lipstick taller than itself like a paintbrush, squinting with a mischievous grin, boldly drawing a crooked red smiley face on the back of the real hand—the real lipstick paste leaves oily red marks on the skin. It even signs it with a satisfied paw print. Sound FX: The sticky sound of lipstick crossing skin + cartoon humming of triumph. [00:03-00:05] Shot 2: Powder Puff Combo The real hand grabs a powder puff and slaps the character's face three times in quick succession—each slap puffs out a small cloud of real dust. Its face is thrown left and right, its two spots of blush are powdered into a full face of white, leaving it waving its hands while coughing. Sound FX: Powder puff slapping "poof poof poof" + rustling dust sounds + cartoon coughing. [00:05-00:08] Shot 3: Makeup Meltdown Its eyes turn into swirls (Swirl Eyes) as it opens its mouth and bawls, blue cartoon tears splashing out to the sides like a fountain (Fountain Tears)—the tears wash two vertical stripes through the white powder on its face, mixing with the previous lipstick marks, creating a messy cartoon face. Sound FX: Exaggerated cartoon crying sounds + dripping water sounds. [00:08-00:10] Shot 4: Blow-Dry K.O. Ending The real hand picks up the hairdryer and aims it at the character, pressing the switch—the strong wind instantly makes the paper body shake wildly. It desperately clings to the edge of the eyeshadow palette, its hair and skirt blowing into a straight line. After half a second its hands slip, and the entire sticker is blown out of the frame with a "whoosh," leaving only a blue hair clip spinning onto the tabletop. The real hand calmly turns off the hairdryer and continues applying makeup. The scene freezes on the hair clip. Sound FX: Hairdryer roar + paper rustling and shaking + "whoosh" flying away + hair clip hitting the table with a final "ding."

15-second ultra-cinematic mythological transformation sequence atop a towering mountain summit above the clouds during sunrise. A lone warrior stands on the edge of an ancient stone peak overlooking endless mountain ranges. Golden sunlight slowly breaks through the clouds while powerful alpine winds whip across the summit. Eagles circle far below. The atmosphere is majestic, sacred, and grounded. The camera slowly circles around the warrior as a distant eagle cry echoes across the mountains. The wind intensifies, carrying thousands of golden feathers through the air. The transformation begins. The warrior's eyes sharpen into piercing amber predator eyes. Fine golden feathers emerge naturally across the arms, shoulders, and neck. Muscles become leaner and more athletic while the posture grows proud and commanding. The camera moves closer as powerful avian talons gradually replace the hands. Intricate feathers spread across the forearms and chest while dense golden fur develops along the legs, torso, and back. The transformation accelerates. The spine reshapes. Massive feathered wings erupt from the shoulder blades, unfolding layer by layer with thousands of individually animated feathers reacting naturally to the mountain wind. The lower body becomes increasingly leonine. Powerful feline muscles ripple beneath thick golden fur. A long lion tail forms naturally behind the body while enormous eagle talons grip the stone summit. The surrounding environment responds. Mountain winds spiral around the transforming figure. Loose rocks lift briefly from the ground. Clouds part as sunlight floods the summit. At the climax, the warrior becomes the Griffin Lord—a magnificent fusion of golden eagle and mountain lion. Towering feathered wings stretch across the cliff edge while every feather catches the morning light. The creature radiates the calm authority of an ancient guardian. Final cinematic moment: the Griffin Lord launches from the summit with a single colossal wingbeat. The camera follows as it glides effortlessly above endless mountain peaks, soaring through the clouds while the rising sun silhouettes its immense wings against the sky. Style: ultra-cinematic mythological realism, photoreal griffin anatomy, realistic feather and fur simulation, grounded biological transformation, alpine mountain atmosphere, golden sunrise lighting, majestic aerial cinematography, AAA fantasy film quality, no text, no overlays. Audio: epic mythological orchestral score, soaring choir, powerful wingbeats, alpine winds, distant eagle cries, lion growls, rock debris, cinematic mountain ambience, triumphant crescendo.

FIRST FRAME (= upload reference image, 100% locked): Classical beauty, black hair in a high bun, golden hairpins with drooping beads and tassels, deep red gold-embroidered ruqun, Shoulders draped with thin pink silk scarf, gold thread phoenix pattern waistband tied with white jade pendant, jade bracelet on wrist; Right hand slightly raised touching peach blossom branches. Background: hills of peach blossom forest, green distant mountains, flying waterfalls, Warm twilight light, fluttering petals. Character features, hairstyle, clothing, accessories, and posture are 100% consistent with the first frame, no deformation or face swapping throughout. Character · Expression · Action · Dialogue (Emotional scene, mouth movements strictly aligned with dialogue): 0-2s: Maintain the posture of touching the flower branch, lower eyes to gaze at the peach blossoms at fingertips, with a slight smile on the mouth. [Soft voice · Breath voice] "This year's peach blossoms... bloom so early." 2-4s: Fingertips gently stroke the petals, slowly turn head to look at the distant mountain waterfall, eyes stretched and bright. [Gentle tone] "This full mountain of spring colors, there is no one to watch together." 4-6s: Smile fades slightly, a trace of faint melancholy rises in the eyes, lips move slightly as if wanting to speak but stopping. [Half sentence stopped] "If only you were here too..." (voice stops) 6-8s: Hand drops back from the flower branch, eyes drop, silent for a moment, expression gentle and lost. [Almost silent · Breath voice] "Never mind." 8-10s: Close eyes lightly, take a deep breath, and open eyes with a relieved smile. [Self-talk · Breath voice] "Flowers bloom and fall, let it be." 10-12s: Look up towards the warm light, silk scarf swaying in the wind, expression gentle and calm. [Light and steady] "I can afford to wait, and I can take it lightly." 12-15s: Look straight ahead/to the right side of the screen, eyes soft and slightly moist, lips move slightly as if about to speak, finally returning to quiet gazing at the distance, frozen in a gentle, elegant, and slightly melancholy expression. [Last sentence breath voice · fading out] "...May this spring light last year after year." Audio setting: female voice, gentle and elegant, more breathy, slow pace, end tone slightly rising then falling; Emotion is restrained, like self-muttering, perfectly matching the facial mouth movements throughout. CAMERA: Fixed medium-close shot, extremely slow push-in, focused on the face and eyes; Shallow depth of field, foreground peach blossoms and background mountains/waterfalls blurred. One continuous shot, no cuts, no transitions. Atmosphere · Lighting: Twilight golden side-backlight, warm and soft tones; peach blossoms naturally falling with the breeze, Silk scarf and tassels swaying slightly, flowing waterfall in the distance, delicate air texture; Overall tone is gentle, elegant, and subtly melancholy. CONSTRAINTS: - 4K Ultra HD, 15 seconds, character/clothing/scene 100% consistent with the first frame. - Dialogue strictly synchronized with mouth movements, clear and natural pronunciation, breathy texture, no lip-sync errors. - Expressions progress according to the emotional curve, smooth transitions, no dropped frames. - Eyes show emotion; no glowing eyes or abnormal pupils. - Wind, falling flowers, silk scarf, tassels, and waterfall follow real physics, soft and not exaggerated. - Ends with a natural freeze-frame, no black screen, no transition. - No subtitles, no watermark, no symbols, no text.

A haute couture fashion show in Paris, models walking under dramatic spotlights, ultra-detailed silk and velvet fabrics, realistic reflections on polished runway floor, slow-motion fabric movement, premium cinematic realism, native 4K detail,

Use @Image1 as the chef character reference. Keep the chef’s face, outfit, hairstyle, proportions, and anime style consistent throughout. Create a 10-second horizontal 16:9 anime cooking video showing takoyaki being made at a Japanese street food stall in a fast cinematic step-by-step montage. Each second shows a new cooking step. Style: premium Japanese anime food commercial, warm festival stall lighting, glowing lantern ambience, beautiful food close-ups, sizzling textures, soft steam, glossy sauce, smooth camera motion, shallow depth of field, elegant and satisfying. No subtitles, no text, no logo, no watermark. 0:00–0:01 Close-up of the hot takoyaki grill. The chef lightly brushes oil across the round molds. 0:01–0:02 The chef pours smooth batter into the takoyaki pan, filling each mold as the batter spreads and sizzles. 0:02–0:03 Diced octopus is dropped into each mold. Add green onion and small bits of pickled ginger in quick close-up. 0:03–0:04 The chef sprinkles tempura crumbs over the batter. The surface bubbles gently with heat. 0:04–0:05 Using takoyaki picks, the chef starts turning each piece, folding the batter inward as the balls begin to form. 0:05–0:06 The chef rotates the takoyaki again with fast, skillful hand movement. The balls become round and golden. 0:06–0:07 Close-up of the fully cooked takoyaki browning evenly on the grill, with soft steam rising. 0:07–0:08 The chef lifts the takoyaki from the pan and places them neatly into a serving tray or paper boat. 0:08–0:09 The chef brushes glossy takoyaki sauce over the balls, then adds a zigzag of mayonnaise. 0:09–0:10 Final plating shot: the takoyaki is finished with bonito flakes and a little green garnish. The flakes dance from the heat. End on an appetizing hero shot at the stall counter. Use smooth quick cuts, macro food shots, warm highlights, rich golden-brown colors, and a refined anime aesthetic similar to a high-end Japanese food animation.

Mei the Gunslinger = <<<Image1>>> Mei rides a horse alongside a train in the Old West. In a spectacular stunt, she jumps from her horse on to a train carriage. Warm color grade. Desaturated. professional 35mm cinema camera.

Create a realistic fashion GRWM featuring a trendy Korean woman wearing a black fitted crop top, relaxed blue jeans, white sneakers, and a small crossbody bag. The video opens with her waving at the camera while sitting at her vanity. She does her makeup, curls her hair, picks her outfit from the wardrobe, wears sunglasses, packs essentials into her handbag, takes a mirror selfie, and leaves for a luxury shopping district filled with boutiques and cafés. Premium lifestyle commercial, cinematic camera movement, soft daylight, photorealistic, 4K.

Style: Photorealistic. Live-action film. Summary: The creature from image 3 goes on a rampage at Shibuya's scramble crossing. The woman from image 1 and the woman from image 2 team up to defeat the creature from image 3 with katanas. *Please do not use any expressions of blood. Scene 1