Explore Free Seedance 2.0 Prompts

[Protagonist] A 2nd-grade elementary school girl with a black bob (silver hairpin, bear T-shirt, dark red backpack)\n[Setting] A crosswalk in heavy rain\n[Antagonist] A black floor that opens its mouth the moment someone steps off the lines\n[Gimmick] The white parts of the crosswalk\n\n[Video Style]\n15 seconds. Japanese full-color anime. High-density 2D animation with a budget of 500 million yen. Precise background art, smooth in-betweening, and cinematic post-processing. To prevent visual repetition, vary the composition, camera angles, screen size, and character distance to create an engaging development. No subtitles, no watermark, no BGM. Include ambient sound.\n\n[Video Structure] In a city where the black floor opens its mouth, the protagonist moves forward by stepping only on the white parts of the crosswalk. The stepped areas glow momentarily, and the footsteps create a rhythm. Gaps are crossed with big jumps, and finally, she lands with both feet at the destination, causing the black floor to close.\n\n[One-time Highlight (To be included in Shot 5-7)] As she steps on the rain-glistening white lines in order, water splashes bloom like white flowers.\n\nShot 1 (Hook): A crosswalk in heavy rain. The protagonist's footsteps are heard only on the white parts of the crosswalk, not the ground. She focuses on her feet with a serious expression.\nShot 2 (Black Floor): The ground outside the white parts of the crosswalk sinks into blackness and opens its mouth where she might step off. The protagonist looks down with a tense face.\nShot 3 (Rhythm): She proceeds by stepping accurately on the white parts. Each stepped spot glows for a second, and the footsteps form a rhythm. Joy gradually begins to show on her face.\nShot 4 (Parallel): The camera runs alongside her at ground level. Only the protagonist's shadow is running on the ground. Light footwork.\nShot 5 (Gap): A section where the white parts are disconnected. The protagonist takes a running start and makes a big jump. A serious face as she holds her breath and jumps with all her might.\nShot 6 (Landing): She lands perfectly in the middle of the next white part of the crosswalk. The black floor ripples in frustration. The protagonist gives a fearless, smirking smile.\nShot 7 (Goal): Upon landing with both feet at the destination, the black floor closes and returns to normal. She says 'Safe' with a satisfied look.

Cinematic hip-hop/rap music video, photo-realistic quality, high-end, beach setting. Build the scene based on @Image1: a band performs on a golden beach with waves crashing. A lead singer passionately sings with a microphone stand on the wet sand, a guitarist stands on the left, another on the right, and a drummer sits behind the kit. The vast coastline stretches behind them with rolling waves. A giant, warm golden-hour sun sweeps across the beach, sparkling on the water with sea mist and salty spray in the air. The lead singer in a red tracksuit RAPs toward the camera with rhythm—mouth movements and jaw precisely aligned with every word, head nodding to the beat, driving the flow. Musicians sway to the rhythm as waves crash behind them. This is a bright, energetic rap song—fast-paced, confident, and strong beat. Hard cuts on the beat, with double contrast (shot scale and camera type) at each switch. Lyrics (the lead singer sings 'Hello' in these languages with precise lip-sync): English: 'Hello', Chinese: '你好', Japanese: 'こんにちは', Korean: '안녕하세요', Portuguese: 'Ola', Thai: 'สวัสดี', Spanish: 'Hola', Arabic: 'مرحب'. Shot 1 [0:00-0:03]: Low-angle wide establishing shot, stabilized camera advances through golden sunset and sea mist as waves surge behind the band. Lyric line 1 (English 'Hello'). Hard cut. Shot 2 [0:03-0:05]: Close-up of red tracksuit singer rapping to camera, handheld whip-pan in, blurred shimmering water behind. Lyric line 2 (Chinese '你好'). Hard cut. Shot 3 [0:05-0:08]: Macro insert shot, fixed camera, guitarist's fingers moving fast on strings, sand and mist passing the foreground. Lyric line 3 (Japanese 'こんにちは'). Hard cut. Shot 4 [0:08-0:10]: 3/4 mid-shot of a musician, slow orbiting creep, instrument metal and wet highlights reflecting the sunset. Lyric line 4 (Korean '안녕하세요'). Hard cut. Shot 5 [0:10-0:13]: A musician by the water, fast tracking shot passing him, he turns to camera as a wave breaks behind. Lyric line 5 (Portuguese 'Ola'). Hard cut. Shot 6 [0:13-0:15]: Drummer by the water, handheld quick tilt up, sea breeze and spray blowing hair as he drums to beat. Lyric line 6 (Thai 'สวัสดี'). Hard cut. Shot 7 [0:15-0:18]: Tight push on red tracksuit singer in full flow, aggressive handheld, twilight sea behind band silhouettes. Lyric line 7 (Spanish 'Hola'). Hard cut. Shot 8 [0:18-0:20]: Heroic wide shot of the full band, aggressive handheld advance, band steps toward camera on beat, waves crash and golden sunset explodes into a halo behind them. Lyric line 8 (Arabic 'مرحبا'). White balance 4000K, teal-and-amber grading, 35mm, shallow depth of field, film grain, diffused sea mist, golden hour glow. Solid, high-end texture. Rhythmic rap performance, precise lip-syncing, head nodding to beat. No subtitles, no text overlays, no dissolves, no duplicate characters, hard cuts only. Total duration 20s.

9:16 vertical screen, 24fps, 15 seconds, large-scale sci-fi disaster blockbuster quality, 8K ultra-high definition, HDR, volumetric light, dual tones of cold blue and molten orange, RAW texture, high-impact disaster-film explosion aesthetics. 0-3 seconds: First-person handheld running perspective, violent shaking, passing through a cyberpunk district with neon billboards shattering and falling. A three-hundred-story mirrored skyscraper ahead is torn apart by translucent gravity waves, concrete and steel beams exploding outward like paper, glass curtain wall fragments pouring like rain, and deep red lava fissures opening in the ground. The camera stumbles to avoid a falling giant advertising screen, the last frame flashing before it shatters is the smiling face of an AI news anchor. 4-7 seconds: The camera suddenly looks up for a low-angle shot—the sky is obscured by a massive triangular alien mothership, pulse-like blue tractor beams shooting from the ship's bottom, lifting skyscrapers like toys and suspending them in the air. A military drone whistles past the right side of the camera, hit by the beam and exploding 0.3 seconds later; a fireball erupts in front of the lens, and the camera recoils from the shockwave but continues running. Background sounds are tearing air raid sirens, people screaming, and the low-frequency roar of collapsing buildings. 8-12 seconds: The camera rushes through a collapsed overpass arch into an open central square. Hundreds of hovering cars lose control, colliding and exploding in series, the ground undulating like waves—gravity waves have warped the laws of physics. The giant holographic statue in the center of the square flickers and shatters into data fragments. A young mother carrying a child suddenly falls on the right; the camera reaches out to pull her but is too late—the next second the square's crust is flipped over, the camera becomes weightless and airborne, rotating 360 degrees surrounded by suspended cars, debris, and human bodies. 13-15 seconds: In a rapid descent, the camera finally points to the sky—the alien mothership's underside opens, a giant orange-red energy pillar plunges into the earth's core, and the city is destroyed by a circular shockwave from the center outward. The last frame before the camera hits the ground—the screen freezes on a solitary neon cherry blossom holographic advertisement flickering amidst the flying debris, then hard cuts to black. The sound effects conclude with a massive low-frequency thud followed by vacuum-like silence. Prohibit any text, subtitles, LOGO, or watermark. Subtitles should not appear in any segment of the screen.

16:9 horizontal screen, street rap MV style, neon purple and blue cool tones, explosive cool and fierce atmosphere. 0-3 seconds: Medium shot push-in, city street night scene with flashing neon lights, an 80-year-old silver-haired woman stands in front of a graffiti wall, short silver-white hair styled in a neat slick-back, distinct square face contour, sword-like eyebrows slanting towards the temples, eyes sharp like electricity, wrinkles at the corners of her eyes like badges of time, a confident smile on the corner of her mouth, wearing a black leather jacket over a white printed T-shirt (large black letters "YOLO" on the chest) + black cargo pants + white high-top sneakers, a thick gold chain necklace around her neck, silver bracelet on her wrist, holding up a microphone with both hands, strong drum beats of the BGM start, the old woman's eyes sharpen, and her lips open to start Rap. 3-7 seconds: Medium shot + close-up switch, the old woman starts rapping, with an extremely strong sense of rhythm, her silver hair flying with her head-nodding movements, one hand holding the microphone, the other hand making gestures to match the rhythm—index finger pointing at the camera, palm cutting the rhythm up and down, making hip-hop gestures, movements are smooth and flowing, eyes sharp and looking directly at the camera, wrinkles vividly jumping with her expression, lips opening and closing rapidly to spit out lyrics: [Rap Lyrics] "Eighty-year-old legs, can jump better than you! Silver hair flowing, this is my pride! Don't call me old, my Flow is better than yours, when you were playing rap, I was listening to disco!" (Fast speed, strong rhythm, fierce attitude) Quick cuts: facial close-ups, hand movements, full-body swaying, side silhouettes, synchronized with the BGM beat. 7-11 seconds: Dance segment, the camera pulls back to show the full body, the old woman starts dancing—first the classic hip-hop bounce, then a neat street dance freeze, followed by a body wave transmitting from the shoulders to the toes, and then a quick footwork workout, movements are clean and sharp, silver hair flies under the neon lights, the leather jacket flutters in the air, she continues to Rap while dancing: [Rap Lyrics] "Legs and feet are nimble, speed is not slow, my lyrics are carved in time! You play with phones, I play with beats, eighty years of life, written into this verse!" (Faster rhythm, stronger tone) Low-angle upward shot + 360-degree surrounding shot, capturing the old woman's cool and fierce dance moves. 11-15 seconds: climax ending, the old woman makes a cool turn, her silver hair arcs in the air, she faces the camera and makes a "shush" gesture with her finger, then her lips move closer to the microphone, singing the last line in a low, magnetic voice: [Reality Lyrics] "Time never defeats a beauty, I just changed the way I experience youth..." (Slow rhythm, deep emotion, lingering finish) The camera slowly pushes in for a close-up of the old woman's eyes, the wrinkles at the corners of her eyes are all stories, her gaze is still sharp yet with a hint of kindness, the BGM abruptly stops at the climax, the frame freezes on the old woman's cool yet slightly gentle smile, vignetting + neon purple light halo.

15-second cinematic TV show style video. Use (reference) as the background location (handcrafted cardboard cutout theatrical forest stage set with painted trees, oversized mushrooms, stone path, and soft lighting). The character (reference) (tarsier mascot costume) enters from the left side and walks slowly toward the right side of the frame on the stone path. At 3 seconds, the mascot stops in the middle of the path, turns to face the camera, raises his right hand and points directly at the camera. With a calm, slow, and warm voice he says: "Hey, you... yes you." Then continues speaking: "Don't tell your dreams to everybody around." After the first line, he lowers his hand and continues walking slowly toward the right side of the frame. A single realistic iron park swing appears naturally on the right side of the path. The mascot walks up to the swing, turns around, and sits down on it. At 11 seconds, the camera slowly and smoothly zooms in on the mascot sitting on the swing. While sitting, he looks at the camera again with a calm expression and says in a soft, motivational tone: "Some people smile but wanna see you down." The mascot's mouth does not move when speaking (mascot costume limitation). Only natural sound effects — soft footsteps on the stone path and the gentle creaking sound of the iron swing when he sits. No background music. Background remains in handcrafted cardboard cutout theatrical style, not 3D. Camera movement is smooth and realistic like a TV show or documentary. Soft natural lighting, calm and motivational atmosphere. --ar 16:9 --duration 15

Main Subject: Young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain identical identity, clothing, hairstyle, and appearance throughout. Location: Quiet Korean residential neighborhood with narrow alleys leading to a tiny local convenience store. Utility poles, bicycles, potted flowers, apartment fences, mature trees, warm late morning. Visual Style: Ultra-realistic documentary realism. Candid, unscripted slice-of-life. Camera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, autofocus hunting, soft colors, exposure pumping, motion blur, digital compression artifacts, no stabilization. 00:00–00:03 She exits her front gate carrying a small wallet, stretching while locking the gate. 00:03–00:06 Walking toward the neighborhood convenience store. Camera lags slightly behind. 00:06–00:09 Inside the tiny store, she opens the refrigerator and chooses a canned coffee. Autofocus struggles through the glass door. 00:09–00:12 Outside, she pops open the can and takes a sip while watching neighborhood children ride bicycles. 00:12–00:15 Walking home smiling after noticing the camera before the recording suddenly cuts. Audio: Only natural neighborhood ambience.

Style: Realistic, high-end, natural light car fashion short film, daytime city light, fast-paced rhythmic montage. Character Lock: Always use the same brown-haired woman from the reference image. Facial features, hairstyle, skin tone, age, and body proportions remain consistent throughout, no face-swapping. Outfit and Vehicle Combinations (do not swap throughout the film): Combination A: Yellow short tank top + black white-edged athletic shorts + white sneakers ↔ Luxury SUV with black and yellow interior Combination B: Black off-the-shoulder fitted dress + gold thin belt ↔ Convertible sports car with wine-red leather interior Combination C: Black biker leather jacket + white inner layer + high-waisted flared jeans ↔ Coupe with deep red interior Combination D: Creamy white short suit + matching A-line skirt + pearl necklace ↔ Sedan with off-white interior Combination E: Haze blue slim athletic set + white baseball cap + white small crossbody bag ↔ Sports coupe with cold grey and light blue interior Photography Rules: Fixed passenger seat camera position, diagonally shooting the driver's seat, the character is located in the middle-right of the screen, the steering wheel is in the right foreground. After changing cars, maintain similar face size, sitting posture, line of sight, seatbelt angle, and steering wheel hand position. Exterior scenery in driving shots always moves from right to left, with sunlight and tree shadows flowing across the character. All transitions and car changes use single-frame hard cuts on the musical beats. No magical transitions, gradients, or complex special effects. SHOT 1 | Entry Motion Matching (0-5 seconds) 0-1.6s: Combination A. The protagonist sits in the SUV driver's seat, looks down, pulls the seatbelt, holds the strap with the right hand, reaches for the buckle with the left, humming softly. Hard cut at 1.6s just as the buckle is about to snap. 1.6-3.1s: Combination B. Maintaining the same head angle, hand position, and seatbelt direction, she seamlessly continues the motion from the previous shot to snap the seatbelt with a 'click', casually straightening her skirt. Hard cut at 3.1s. 3.1-4.0s: Combination C. She sits in from the driver's door while decisively throwing a black handbag toward the left passenger seat. Hard cut at 4.0s as the bag passes the center line of the screen. 4.0-5.0s: Combination D. A light-colored handbag follows the exact same trajectory and lands steadily on the passenger seat. After sitting firmly, she closes the door with her right hand and smiles gently toward the passenger side. SHOT 2 | Driving Outfit Rotation (5-12.5 seconds) 5.0-6.4s: Hard cut to the vehicle already in motion. Combination B, seatbelt fastened, right hand on the steering wheel, left hand on her lap, short hair lightly blown by the airflow, she nods slightly to the music. Hard cut at 6.4s. 6.4-7.7s: Combination A, maintaining character posture and composition, she looks at the road ahead, tapping her fingers on the steering wheel. Hard cut at 7.7s. 7.7-9.0s: Combination E, right hand on steering wheel, left hand gently tucking short hair behind her ear, glances at the passenger seat. Hard cut at 9.0s. 9.0-10.2s: Combination C, same posture, briefly looks at the camera and raises an eyebrow, then turns back to the road. Hard cut at 10.2s. 10.2-11.3s: Combination D, light-colored handbag on the passenger seat, she drives steadily, smiling as if chatting with a passenger. Hard cut at 11.3s. 11.3-12.5s: Combination B, raises her chin slightly, driving composedly as lights and shadows flash past the window. SHOT 3 | Fast Rotation and Closing (12.5-15 seconds) 12.5-13.2s: Hard cut to Combination A on the heavy beat, she is swaying her shoulders to the rhythm. 13.2-13.9s: Maintaining head, shoulder, and hand positions, hard cut to Combination D. 13.9-15.0s: Final hard cut to Combination C. The protagonist briefly holds the steering wheel with both hands, then turns her face slightly toward the camera, showing a confident, restrained expression, ending with a clean freeze frame. Sound Design: Opening seatbelt 'click' followed by light drum beats; every hard cut falls on a musical beat with a very short transition sound effect; driving segments have slight engine and wind noise; ends with a heavy beat closure. Editing Requirements: Every transition must be a clean single-frame hard cut. Align the character's head position, shoulder height, seatbelt diagonal, line of sight, and steering wheel position as much as possible before and after the cut. Distinguish vehicles only by seat color, interior material, and roof structure; do not show the car's exterior. The character must have specific micro-actions in every shot (humming, tapping, tucking hair, nodding, smiling, raising eyebrows); any shot sitting still is prohibited. Negative Prompt: Face-swapping, long hair, character proportion changes, clothing melting, incorrect clothing and vehicle combinations, vehicle interior deformation, gradient clothing changes, particle transitions, flash white transitions, spin transitions, camera drift, steering wheel side change, seatbelt direction change, hand deformity, extra limbs, floating bag, incorrect text, subtitles, watermark, plastic CG texture.

Style: Real city intersection POV + semi-realistic 3D ancient-style mother + Chibi 3D ancient-style girl. Real phone textures for roads, lights, and arms; mother is a semi-realistic 3D digital human in flowing Hanfu; girl is a Chibi 3D character with large eyes. 9:16 aspect ratio, wide angle, handheld jitter, sunny day. 10 seconds total. Scene: Daytime city crossroad, following a black electric scooter. The POV rider holds a white exam paper with a red '19' written on it. Shot 1 [0:00-0:02]: Approaching the pair, rider asks 'Kid, is this your paper?'. Girl realizes it's her failing grade and freezes. Shot 2 [0:02-0:04]: Girl points aggressively at the camera with dissatisfaction. Shot 3 [0:04-0:06]: Mother turns around and stops the scooter. Shot 4 [0:06-0:08]: Mother takes the paper. Girl looks guilty and avoids eye contact. Mother says 'Thank you'. Shot 5 [0:08-0:10]: Girl is forced to say 'Thank you' loudly and reluctantly. Audio: Mandarin Chinese with strict lip-sync, ambient wind and motor sounds.

Main Subject: Young Korean woman, early 20s, rubber boots, waterproof apron over her clothes, hair tied back tightly, sharp alert expression, quick confident movements. Location: Early morning fish market dock, bustling but authentic. Ice-packed crates, hanging scales, wet concrete floor, fishermen's boats docked nearby, steam rising from hot broth stalls. Controlled crowd energy, no modern signage. Visual Style: Raw kinetic documentary realism, sensory-rich chaos, cold blue-grey morning light. Camera Style: Early 2000s camcorder, camera jostled by passing crowd, autofocus struggling with steam and motion, sudden exposure shifts near lights, heavy grain. No stabilization. Timeline (15 sec, each slot = 2 compressed beats): 00:00–00:03 → She dodges between crates, then grabs a fish from an ice bin, examining it closely. 00:03–00:06 → An auctioneer's chant rises nearby; she shouts a bid "삼만원!" ("Thirty thousand won!"), raising her hand fast. 00:06–00:09 → She wins the bid, laughing, then hoists the fish crate onto her shoulder. 00:09–00:12 → She nearly slips on wet ground, then catches her balance, laughing it off. 00:12–00:15 → She turns to camera breathless, saying "이거 오늘 저녁 반찬이다!" ("This is tonight's side dish!"), as it fades. Audio: Auctioneer shouting, ice clinking, seagulls, splashing water, market chatter. Her dialogue as noted above. No music. Goal: A chaotic sensory market rush sharp, alive, unmistakably real.